![]() The fact that Eddie made me that offer was totally unexpected for me And since I don’t speak Japanese, I hadn’t thought for a second I could work in this industry. These days with Twitter, it’s much more accessible, but 4, 5 years ago, it was still complicated. He asked me if I’d be interested, and, as an anime fan, my eyes started sparkling like stars. Eddie showed me the process of the projects he was currently working on and told me he was looking for animators. It’s also where I met Ken Arto, Yann Le Gall, Eddie, and many others that belonged to the studio at the time. At that moment, it was purely out of curiosity and passion. I contacted him to ask if it was possible to visit the studio. Years had passed, and I knew he was working in Japan at Studio Yapiko. I remembered that back when I was working at Illumination Mac Guff, Mehdi Aouichaoui did an internship there when he still did a bit of 3D. I thought to myself, “Hey, why not try to visit Japanese animation studios?” But without any pretenses. It was my first trip there, and I had a free day during my trip. From what I understood, it is thanks to Eddie Mehong that you first worked on anime.Ĭan you tell us how it happened? How you met Eddie, and how he led you this way?īenjamin Faure: In 2018, I went to Japan as a tourist. You’re an animator you work on anime at studio MAPPA, but to begin with, you first studied 3D animation.
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